MOVIE: Child’s Play
DIRECTOR: Lars Klevberg
WRITER: Tyler Burton Smith
MAIN CAST: Gabriel Bateman, Mark Hamill, Aubry Plaza
RUNNING TIME: 1hr 30min
The year before I was born, Charles Lee Ray possessed a doll and began a murder rampage that lasted over 30 years-
well he didn’t, ’cause Charles Lee Ray was a fictional character in a film called Child’s Play – but the Doll, Chucky was recognised by any kid born in the 90’s as the franchise kept pumping out horror films. We even saw Chucky get married and have a kid!
Ok, so by the time he had that kid, anyone who saw the original few movies was beginning to get a little bored (to put it nicely) and by the time Cult of Chucky came out, Chucky was nose-diving into box-office bomb-oblivion.
The other night I went to see a contemporary take on my favourite killer toy and I don’t know what I expected (I’d purposely not even read a synopsis on the new film), but I did not expect what I got.
I was sold. Reboots are risky business. You may have the die-hard fans of the originals who want scrutinise every frame for fault; pre-dispostioned to hate whatever comes onscreen, then they go off and spread their narrow opinions.
Well, other than being really really picky, I think for a reboot – Child’s Play 2019 is bang on the money.
Ok, so instead of a possessed doll, Child’s Play 2019 is something more like a killer toy version of Alexa. Buddi is an artificially intelligent Doll. Designed for the modern family, he syncs with all your Kaslan Products. He keeps an eye on your kids, remembers their favourite shows and he is the best friend every kid deserves to have (that’s the sale angle anyways).
Manufactured in a Vietnamese factory a disgruntled worker decides he’s going to switch off the safety protocols of a Buddi doll, before he throws himself out of a window.
After seeing the Buddi doll may be faulty, a shopper returns it to the store – where a single mum, to a kid called Andy, works. She takes Buddi home and the rest is history.
The best thing about a reboot is that it’s a new start to an already existing fictional universe. It gives other creative minds the opportunity to put their new stamp on an old idea.
One of my favourite things about this reboot is that it’s taken something implausible (voodoo and possession) and made it plausible (computers, internet, the cloud, artificial intelligence). The “fear of technology” isn’t a new concept when it comes to horror films, but it does help to draw you in when you can conceive the idea as a true possibility.
Lars brings the Chucky Franchise out of the Voodoo age and into the Digital Age. The kids have phones, the old lady across the hall can finally work Uber and drones are on sale at Zed Mart; If there’s a time to be scared of AI, the time is now.
My second favourite thing about this movie is Andy and his mates. This kinda ties in with the 80’s theme of adventure nostalgia seen in the new IT film and Stranger Things the Netflix Series. People are mad for a bit of kids against the world. I thought the acting was brilliant and the dialogue and interaction with the kids, the adults and even Chucky was believable, engaging and funny. Quite a few times through the film I couldn’t help but think Chucky was the cutest! I even felt sad for Andy and Chucky when Falyn pulled the power source out of Chucky’s chest.
I thought Lars did a smashing job of sharing out the credit while also making the new Child’s Play New. Not only were there a bunch of nods to the original Child’s Play but also to a whole other movie catalogue from around the same time.
From the very start, the original Orion logo in the opening credits was probably what had me bought and sold. I remember it vividly from all my favourite films when I was a little kid. I remember it at the start of Robocop and of course Lars even slotted a reference to that in too.
There’s a few little eggs for Child’s Play, the most obvious being the Doll, Andy, his (almost single) Mum and of course the whole thing gets started with a violent death on a stormy night.
Other acknowledgements are when Andy begins the Buddi set-up he tries to call the Doll Han-Solo. Mark Hamill is the voice of Chucky and played Luke Skywaker in the Star Wars films. Han Solo was the other main guy in Star Wars and Chucky just ends up naming himself completely ignoring the Han Solo suggestion.
Texas Chainsaw Massacre 2 is a slasher movie from 1986. About this time, a whole host of slasher-gore films were beginning to pop up where comedy was a staple element. Seeing how everyone finds it hilarious to see Leatherface wearing a victims skin during a scene where Andy and his new mates are having a movie night, Chucky becomes kind of inspired by the violent scenes on-screen and decides to give it a go himself.
From 1988 – the year the original Child’s Play was released, Andy’s Bedroom has posters of Poltergeist III and Killer Klowns from Outer Space.
Killer Klowns is another Horror-Comedy. Like in E.T the Extra Terrestrial, another 80’s movie, Chucky’s finger lights up when he is controlling various Kaslan products.
In the 90’s another movie franchise began called Leprechaun, about…. you guessed it, a Leprechaun. Only this Leprechaun is pure psycho killer. Like Child’s Play and Texas Horror, this too is riddled with funny scenes of death and violence. You can see the reference in the Zed-Mart toward the end of the film where there’s the Leprechaun version of the Buddi2 doll and the Pot of Gold accessories.
There’s a couple other eggs hidden in there but you should just have a crack at trying to see them yourself by watching it again.
I know I will be.
It’s the best reboot I’ve ever seen and I am already hoping there’s a sequel.