Kelly was hiding beneath a door that had come off its hinges; the bottom half was wedged in the door frame and the top half was resting on the kitchen table. Her hand was clasped over her mouth as she tried to stay quiet and control her breathing.
Kelly lived on her own in a 1st floor flat on an estate in Dagenham, East London.
It was about 2am when she woke up. Her bed was shaking, the ornaments decorating her room were rattling and the two pictures on her wall crashed to the floor as the rumbles ended.
The last time she felt anything similar was in 2008 – she woke up to an earthquake then too.
There was a little delay after, but then she could hear dogs barking, car and house alarms going off and people shouting and children crying.
But then she heard screaming, then she heard more screaming.
Had someone been killed by that little tremor? She thought.
She jumped out of bed, but there was screaming coming from everywhere. Even the hall on her floor.
She pulled on her joggers and hoody piled up next to her bed, and as she went out the bedroom door she slotted her feet into her trainers. She looked through the spyhole in her front door and saw someone rush past.
Was there a fire? Becoming a little frantic, she undid the Yale lock, turned the key and finally took the hook off the catch.
She opened the door in a scramble and as she was about to head out, she saw Mrs Jackson from number 14 on the floor holding a bloody hand out to her. A man in a Tracksuit covered in blood was clawing at her chest.
“Mrs Jackson”, Kelly screamed. The hooded man looked up and snarled. He leapt forward but Kelly was still behind the door. She slammed it closed as he thudded against it.
She ran to find her mobile phone out of her bedroom when there was another rumble. This time the shaking was a terrifying rocking. The floor and the walls were vibrating -big, swaying vibrations.
Seconds after the violent tremor began, giant cracks began to appear. She could hear the pots and pans rattling out of the cupboards in the kitchen and smashing to the floor.
She managed to make it into the kitchen as her front door banged open. The ceiling just before the kitchen door began to collapse. The kitchen door cracked off forcing her to the ground under its weight. The door had become wedged above her, protecting her from the rest of the smashing and crashing which was so loud she had to clamp her hands over ears.
For a long time she held her hands on her ears and her eyes were so tightly clamped shut that it hurt when she finally opened them.
She didnt know she had been screaming until the tremor finally came to an end. She stopped a few seconds after it finished, the shrill sound ringing through her head.
There were no car alarms this time. No house alarms and the screaming seemed to have stopped for the moment.
A pipe had burst and Kelly could feel her clothes shrink to her legs the cold water hit.
She began to try and wiggle free when she heard a snarl from above the door.
MAIN CAST: Jackson A. Dunn, David Denman, Elizabeth BAnks
RUNNING TIME: 1hr 30min
I try and avoid movie trailers out of fear that they will spoil a film or take something away from it. Most of the time I feel like they show way too much information and as though they somehow force me to develop an opinion about a film before I have even seen it.
Brightburn was one of those times I ended up seeing the trailer and although I wouldn’t necessarily say I developed an opinion about the film I did start thinking up questions about it and I was coming back to Superman every-time.
ooooo, I thought, interesting – my initial reaction to the first few seconds of the trailer. Then as it went on I began to cringe a little, ah I don’t know. I mean, a bad Superman? Is that where they’re going with this? We’ve seen Superman turn bad. Then again, we’ve never seen him start out bad. Ok – they’re either gona do this good or it’s gona be real bad.
I kept seeing odd buzz words around the film though: Horror, Gory, Bad seed, Evil Superhero. I was wondering, how dark is this gona be?
When I thought about a bad Superman, I couldn’t help going back to the 1983 Superman III starring Christopher Reeve. It’s the one where Superman splits into an evil version of himself after being exposed to synthetic kryptonite. He becomes a bit of horny, juvenile alcoholic. Sure some of the stuff he does is a bit bad, but considering the power he wields he doesn’t go thatmental. This got me hoping Brightburn wasn’t just about a moody Mama’s boy going through puberty.
To be fair, the trailer made it quite clear the little dude in this film was one step ahead of getting wasted, blowing out the Olympic Torch and straightening out the Leaning Tower of Pisa (Superman III). He is definitely a bit of a psycho, but how far was he really going to go? Was he just going to maim people? Or was this angelic looking kid going to just go to full on Killing sprees? I think there’s a few occasions in the DC comics where Superman goes a bit nuts and even starts killing members of the Justice League, so maybe he will go that far?
The Gunn brothers, Mark and Brian, that wrote the screenplay are adamant the film is not based on a ‘bad Superman’, but an already evil alien raised on earth. I don’t read about films until I’ve seen them so most of this I didn’t really pick up until afterward.
However, perhaps I should have observed that statement a little harder while I watched it. I got caught up on this whole Evil Superman parallel, that it was easy to only see the Superman element.
Yes! There’s bunch of references paying homage to Superman from the red cape to the laser beam eyes. Yes! Like the Superman back-story, a baby crash lands on a farm and Mr & Farmer decide to raise the baby as their own, but you can read more about all those on another site.
Forget for a minute that Brightburn had anything to do with Superman at all.
What got my skin crawling is what’s implied about Brandon’s backstory and what he’s going through. After much consideration, I think Brandon is less like Superman – and more like some killer Wasp-Bee alien, and here’s why.
To give that a little more context, I’m going to start from the scene in the school where Brandon talks about bees and wasps.
By the complex answer he gives his teacher when they’re learning about the Bees and the Wasps Brandon appears to be smarter than the average kid. The other children tease Brandon; he is clearly different to them and maybe they all sense that.
I don’t think this scene just makes a point about how smart Brandon is, or how the other kids in the class are bullying him. I think this scene is a big clue about why he landed on Earth and what makes this film stand away from Superman.
I’ll expand on what Brandon talks about to show where I’m coming from. Brandon says about the aggressive nature of wasps and how they don’t have the ability to create hives so they take them over by brute force. True Brood Wasps are insects that infiltrate host nests as larvae (like Brandon as a baby) and are raised by the adult hosts (like Tori and Kyle). Cuckoo Bumblebees do the same, but also release pheromones in order to slip past bee security and kill or subdue the queen of entire colonies and take them over, forcing the host worker-hive to feed their offspring.
I think showing him being bullied is by the other kids at school could also be seen as they are poking the wasp nest – so to speak but I won’t get carried away.
When Brandon wakes up in the middle of the night after a seizure, the hidden space-vessel he came in seems to have sent out psychic messages awakening his powers of strength, flight and speed (not to mention the laser eyes). Later in the film Brandon cracks the psychic code and realises its telling him to TAKE THE WORLD – which he seems to take to like a Cuckcoo Bee takes a colony.
Yeah, from here on in, Brandon starts displaying a whole load of manipulative and twisted behaviour that involves bloodshed and threats – but there’s a fair few indicators that what he’s been going through doesn’t just start after the seizure in bed.
Knowing that despite his innocent appearance, Brandon is not a real human child, Kyle points out the things he’s noticed as they have raised him.
Kyle and Tori discover some magazine clippings which aren’t just teenage boy spank-bank material. Beneath a few pictures of bikini models, there’s pictures and drawings of the anatomy of people. The notebook that he is always writing in is quite tatted and used up and when we see it later in the film, there’s a lot of disturbing content (even the logo he stamps everywhere is like a rudimentary bee or wasp stamp). It all suggests these are things that have been playing on his mind for a while. It’s not quite as simple as a Space-ship talking to him awakening some sudden urge to kill, it seems Brandon has been wondering what people look like from the inside-out, for a lot longer.
Does he want to know our anatomy so he can kill us easily? Does he want to lay eggs in our abdomen? Is he going to eat us when he is done? I mean, when he stuck his finger in the blood on his dying uncles face, I half expected him to lick it off!!
Ok I aren’t clutching at straws here – I can give this Bee-Wasp Alien theory a bit more traction.
Another part of the film that seems to back up the idea of Brandon infiltrating Earth to potentially colonise it like the Cuckoo Bee, is his interest in Caitlyn. Despite the fact that he crushes her hand, in some sort of controlling and manipulative effort he still wants to pursue her sexually. The reason I specifically say sexually, is because the first thing he does after Kyle ‘gives him the talk (about the birds and the bees‘) is stalk her in her bedroom. It’s also more carnal than it is romantic especially because he actually stalks her. Even after he breaks her hand he is still imposing. Has he intended her as his mate?
Ok so enough about that – one of thee main and most definitive reasons I think Brandon is a Wasp Monster… The insect-like hooded-mask he wears. I mean, come on, could you get more symbolic than that? He hovers like a wasp, he moves at speed like a wasp, he’s aggressive and parasitic and imposing – he even wears a wasp mask!!
So if I forget for a minute that the word Superman is even remotely related to this little monster, I become extremely creeped out. I reckon Brandon is more likely from a liege of Super Wasp Aliens that can morph into their hosts, permeate an entire planet and destroy it with no conscience.
If you think I’m totally off the mark then message me or comment. I’d love to hear it.
MAIN CAST: Gabriel Bateman, Mark Hamill, Aubry Plaza
RUNNING TIME: 1hr 30min
The year before I was born, Charles Lee Ray possessed a doll and began a murder rampage that lasted over 30 years-
well he didn’t, ’cause Charles Lee Ray was a fictional character in a film called Child’s Play – but the Doll, Chucky was recognised by any kid born in the 90’s as the franchise kept pumping out horror films. We even saw Chucky get married and have a kid!
Ok, so by the time he had that kid, anyone who saw the original few movies was beginning to get a little bored (to put it nicely) and by the time Cult of Chucky came out, Chucky was nose-diving into box-office bomb-oblivion.
The other night I went to see a contemporary take on my favourite killer toy and I don’t know what I expected (I’d purposely not even read a synopsis on the new film), but I did not expect what I got.
I was sold. Reboots are risky business. You may have the die-hard fans of the originals who want scrutinise every frame for fault; pre-dispostioned to hate whatever comes onscreen, then they go off and spread their narrow opinions.
Well, other than being really really picky, I think for a reboot – Child’s Play 2019 is bang on the money.
Ok, so instead of a possessed doll, Child’s Play 2019 is something more like a killer toy version of Alexa. Buddi is an artificially intelligent Doll. Designed for the modern family, he syncs with all your Kaslan Products. He keeps an eye on your kids, remembers their favourite shows and he is the best friend every kid deserves to have (that’s the sale angle anyways).
Manufactured in a Vietnamese factory a disgruntled worker decides he’s going to switch off the safety protocols of a Buddi doll, before he throws himself out of a window.
After seeing the Buddi doll may be faulty, a shopper returns it to the store – where a single mum, to a kid called Andy, works. She takes Buddi home and the rest is history.
The best thing about a reboot is that it’s a new start to an already existing fictional universe. It gives other creative minds the opportunity to put their new stamp on an old idea.
One of my favourite things about this reboot is that it’s taken something implausible (voodoo and possession) and made it plausible (computers, internet, the cloud, artificial intelligence). The “fear of technology” isn’t a new concept when it comes to horror films, but it does help to draw you in when you can conceive the idea as a true possibility.
Lars brings the Chucky Franchise out of the Voodoo age and into the Digital Age. The kids have phones, the old lady across the hall can finally work Uber and drones are on sale at Zed Mart; If there’s a time to be scared of AI, the time is now.
My second favourite thing about this movie is Andy and his mates. This kinda ties in with the 80’s theme of adventure nostalgia seen in the new IT film and Stranger Things the Netflix Series. People are mad for a bit of kids against the world. I thought the acting was brilliant and the dialogue and interaction with the kids, the adults and even Chucky was believable, engaging and funny. Quite a few times through the film I couldn’t help but think Chucky was the cutest! I even felt sad for Andy and Chucky when Falyn pulled the power source out of Chucky’s chest.
I thought Lars did a smashing job of sharing out the credit while also making the new Child’s Play New. Not only were there a bunch of nods to the original Child’s Play but also to a whole other movie catalogue from around the same time.
From the very start, the original Orion logo in the opening credits was probably what had me bought and sold. I remember it vividly from all my favourite films when I was a little kid. I remember it at the start of Robocop and of course Lars even slotted a reference to that in too.
There’s a few little eggs for Child’s Play, the most obvious being the Doll, Andy, his (almost single) Mum and of course the whole thing gets started with a violent death on a stormy night.
Other acknowledgements are when Andy begins the Buddi set-up he tries to call the Doll Han-Solo. Mark Hamill is the voice of Chucky and played Luke Skywaker in the Star Wars films. Han Solo was the other main guy in Star Wars and Chucky just ends up naming himself completely ignoring the Han Solo suggestion.
Texas Chainsaw Massacre 2 is a slasher movie from 1986. About this time, a whole host of slasher-gore films were beginning to pop up where comedy was a staple element. Seeing how everyone finds it hilarious to see Leatherface wearing a victims skin during a scene where Andy and his new mates are having a movie night, Chucky becomes kind of inspired by the violent scenes on-screen and decides to give it a go himself.
From 1988 – the year the original Child’s Play was released, Andy’s Bedroom has posters of Poltergeist III and Killer Klowns from Outer Space.
Killer Klowns is another Horror-Comedy. Like in E.T the Extra Terrestrial, another 80’s movie, Chucky’s finger lights up when he is controlling various Kaslan products.
In the 90’s another movie franchise began called Leprechaun, about…. you guessed it, a Leprechaun. Only this Leprechaun is pure psycho killer. Like Child’s Play and Texas Horror, this too is riddled with funny scenes of death and violence. You can see the reference in the Zed-Mart toward the end of the film where there’s the Leprechaun version of the Buddi2 doll and the Pot of Gold accessories.
There’s a couple other eggs hidden in there but you should just have a crack at trying to see them yourself by watching it again.
I know I will be.
It’s the best reboot I’ve ever seen and I am already hoping there’s a sequel.
Zero-nine-eight yanked down on the stiff metal handle of the giant metal door; it didn’t budge.
She pulled down on it with all her weight, then she jumped up and pushed down on it. Nothing.
Almost out of energy, she tugged hard and pulled down again, her skinny arms stretched upward as she hung from it and her bum grazed the floor. It wasn’t giving even slightly.
She looked about with a mix of fear and anger on her face. She had been running around in a labyrinth of corridors for what felt like hours and her bare feet were so cold they hurt.
There was a keypad too high up to reach next to the door but she didn’t know what she could do about that anyway, they always used a different number on the one in her room.
Brick walls lined the long corridors of concrete floors. There were three different kinds of lights; Long fluorescent strips in the middle of the ceiling which were off at the moment, small tinted red round ones on the wall about two meters apart, which were also off – finally, small white rectangle ones evenly spaced between the red ones, which were on. Most of them didn’t work and there wasn’t a great deal of light, but Zero-nine-eight could see there were no vents, no holes, no spaces to hide in or crawl through.
As she was about to head back the way she came, the hall lit up with the red lights which seemed to be swirling, followed by a shrill siren which sounded three times and stopped.
They were back.
Zero-nine-eight fell down, startled. She scrambled herself backwards into the corner next to the metal door. There was a light beeping noise followed by heavy metal grinding noise from behind the it and she saw the handle move downward. Frozen in the corner, the door swung open, trapping her in the space behind it as it opened slowly until wall stopped it. For the moment she was shielded from the those coming through the it.
“Lieutenants, round up Zero-nine-zero through to Zero-nine-nine”, boomed a voice.
“Yessir, Commander”, came two more voices in unison.
“Take them to the ship, but be discreet. There are a lot of people about this time of day. Use the Trojan.”
“On it Sir”, and that was it; the bright white fluorescent strip lights came on in the ceiling and the red swirling lights stopped. She heard footsteps heading away before hearing the beeping noises again and the door began to move closed.
It swung slowly and she crept around following it. She peered around but it was completely black. As the gap became smaller she gulped and taking a big breath back, she went through.
Tuesday was my best day, I had thee best time from start to finish.
My morning started with a nightmare… and yes, you may be thinking ‘how on Earth can a great day start with a nightmare?’
It’s because I actually love nightmares. With the same logic of why people go on roller-coasters, go bungee jumping or watch horror films; they do it for a rush. To me a nightmare is like a surprise horror screening in the cinema of your brain… which is kind of apt because I ended up having a whole movie day.
Well this nightmare was so bad that it made me bolt upright in bed gasping for air for the first time in a few years. So you can imagine how racy my heart was. The worst thing about this was that there was no way I was getting back to sleep straight away.
The 2nd best thing that happened was to my sweet, scrawny, tiny and very dopey Batcat.
For Christmas, I got a cat flap and all the cats, except Batcat, loved it from the first Day. It was like a letterbox for cats. When they figured it out, it was like I could almost hear them saying ‘Mam – this is amazing, it’s our OWN DOOR!’ and they were in and out of it all day and have been since. Batcat on the other-hand was having absolutely none of it. She would cry and cry and cry until I opened the door. Despite my weeks of trying to coax and help her through, she didn’t seem to grasp the whole concept of the flap.
So back to my Tuesday morning where I needed a walk around the house with a glass of water to shake off this dream of being chased and eaten by a giant bacteria-worm down my Dad’s street.
Not surprisingly, there was Batcat, sitting at the back door whining for me to let her out. So I did, but not before warning her I was going back to bed so she was staying outside.
Off she went and off I went, back to bed. So there I was, dozing off and about to re-enter dream hell, when I heard that familiar letterbox noise, not once, not twice, not three times, but over and over and Over and OVer and OVEr and OVER.
I threw back my covers, in a rage! What was going on down there?!
I stampeded down the stairs ready to find out which of my little furry demons were trying to wind me up. But there, from down the hallway, I could see the tiny paw of my freaky Batcat.
I couldn’t believe it, she’d gotten her paw through the flap. Her whole Paw! Suddenly realising this could be the moment I had been waiting for – I stopped.
‘Come on girl, come on – you can do it!’ I coaxed in my softest voice while I crept toward the door, ‘Tsk Tsk Tsk, come on.’
Well, what can I say when I saw that little head come all the way inside I knew she had finally done it. It was like seeing a child walk for the first time, except better cause it was my baby Batcat! She chirped as she came through the cat flap and I scooped her up, giving her the most cuddly cuddle and strokes.
It was amazing and easily makes its way into the best thing that’s happened in months… Judge all you like.
So obviously after all this excitement there was no way I was getting back to sleep.
Me and Batcat went back to bed but we decided on a morning movie; The Spy who dumped me.
That was my 3rd best thing and I just need to say that every time I watch Mila Kunis in a film, I fall in love with her more and more. She is a great actress and absolutely drop dead gorgeous but she plays it off with such humility. With every film her characters get better and better. Next to her was Kate Mckinnon as her best friend and What. A. Pair… It made me want to call all my best friends and go to Prague… again.
The 4th was seeing my Family and finding out more about the latest project my Dad was into.
Then taking my little Sister and my baby nephew for food.
I went to see Pet Sematary at Cinema– completely alone.
That’s right, there was nobody else in the screening with me. I was so excited.
There was a bit of an issue though. I had geared myself up for a heart attack level of scare so bad that I would be white with terror and need an ambulance before the end. I must have ‘bigged it up’ too much though.
It was nowhere as terrifying as I thought it would be. I liked the soundtrack a lot, bodies dragging themselves around on wooden floors and bones crunching underfoot in the woods. A few scenes did make me shiver but I could have just been cold.
Then for the 7th event of the day, Costa! I went with a friend and I AM SO GLAD I DID. Obviously after seeing Pet Sematary, Stephen King came up. Then naturally IT came up and my friend casually mentions a metaphor I didn’t notice when I had read the IT book before. I could not let this pass me by (more on this when I read the book). I hadn’t read IT since I was 15, so within minutes, I was furiously tapping away on Ebay.
I’m now impatiently waiting for a copy of IT to make its way to me in the post.
The 8th best thing was A Clockwork Orange at Odeon
Popcorn and Pick ‘N’ Mix.
The 10th best thing of the day though… Recliners.
That’s right, Odeon have done their cinema out in Hull and Oh My Days! There is no other way to watch a film at cinema AGAIN.
They have actual, super comfy, recliners in in some of their screens. Oh Man, Oh Mannnnn!! The comfort level was through the roof. I even saw a few people go with blankets – which I am definitely doing next time I go. I don’t think I can leave it very long either. I want to take one of those recliners home with me. It was such a premier experience. Especially seeing A Clockwork Orange on the big screen which, by the way, gets better every time I see it.
Millie could hear blood rush around her body, and she shook with every thudding heartbeat. She stared, unblinking and barely breathing at the slightly open door ahead of her trying to focus her hearing beyond the wall for any sound.
She thought she had closed the door behind her when she ran in and on realising that she hadn’t she found herself too paralysed. She willed herself to close it but there was no more will in her body.
The small room had a table in the middle with a chair either side. There were two doors into the room, the one that she was focused on, slightly ajar and the other on the same wall as a huge two-way mirror behind her.
There was a camera in the upper corner above the open door and a little red light beneath it that blinked away. She wondered if anyone alive was watching her now, crouched over in a primal hunch beneath the mirror, more terrified than she had ever been in her whole life.
She finally blinked and as her eyelids scraped across her dry eyeballs, they filled with water. Tears began to stream down her face. She had no choice but to take a deep sobbing breath as painful and bloody images began flashing through her mind. Her eye’s blurred and she began to bawl. Her bum found the floor as her legs gave way and sprawled out in front of her, her head dropping into her bloody hands.
She was crippled between breaths of air and streams of tears; with every gulp of it she saw her friend’s die.
She could feel the sensation of blood gushing up her arms when Alison’s throat was torn wide open.
She saw an image of Lilah holding out her hand, screaming in agony, seconds before her body was ripped into half from the waist with her guts spilling out onto the floor.
She blinked hard a few times and shook her head in a desperate attempt to shake the images loose.
Catching her breath finally Millie wiped her face with a dry patch on the inside of her hoody and looked ahead – just as Lilah began to crawl through the open door.