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The quake

Kelly was hiding beneath a door that had come off its hinges; the bottom half was wedged in the door frame and the top half was resting on the kitchen table. Her hand was clasped over her mouth as she tried to stay quiet and control her breathing.

*****

Kelly lived on her own in a 1st floor flat on an estate in Dagenham, East London.

It was about 2am when she woke up. Her bed was shaking, the ornaments decorating her room were rattling and the two pictures on her wall crashed to the floor as the rumbles ended.

The last time she felt anything similar was in 2008 – she woke up to an earthquake then too.

There was a little delay after, but then she could hear dogs barking, car and house alarms going off and people shouting and children crying.

But then she heard screaming, then she heard more screaming.

Had someone been killed by that little tremor? She thought.

She jumped out of bed, but there was screaming coming from everywhere. Even the hall on her floor.

She pulled on her joggers and hoody piled up next to her bed, and as she went out the bedroom door she slotted her feet into her trainers. She looked through the spyhole in her front door and saw someone rush past.

Was there a fire? Becoming a little frantic, she undid the Yale lock, turned the key and finally took the hook off the catch.

She opened the door in a scramble and as she was about to head out, she saw Mrs Jackson from number 14 on the floor holding a bloody hand out to her. A man in a Tracksuit covered in blood was clawing at her chest like a dog trying to find a bone.

“Mrs Jackson”, Kelly screamed. The hooded man looked up and snarled. He leapt forward but Kelly was still behind the door. She slammed it closed as he thudded against it.

She ran to find her mobile phone out of her bedroom when there was another rumble. This time the shaking was a terrifying rocking. The floor and the walls were vibrating -big, swaying vibrations.

Seconds after the violent tremor began, giant cracks began to appear. She could hear the pots and pans rattling out of the cupboards in the kitchen and smashing to the floor.

She managed to make it into the kitchen as her front door banged open. The ceiling just before the kitchen door began to collapse. The kitchen door cracked off forcing her to the ground under its weight. The door had become wedged above her, protecting her from the rest of the smashing and crashing which was so loud she had to clamp her hands over ears.

For a long time she held her hands on her ears and her eyes were so tightly clamped shut that it hurt when she finally opened them.

She didnt know she had been screaming until the tremor finally came to an end. She stopped a few seconds after it finished, the shrill sound ringing through her head.

There were no car alarms this time. No house alarms and the screaming seemed to have stopped for the moment.

A pipe had burst and Kelly could feel her clothes shrink to her legs the cold water hit.

She began to try and wiggle free when she heard a snarl from above the door.

film review. brightburn

MOVIE: Brightburn

YEAR: 2019

DIRECTOR: David Yarovesky

WRITER: Brian Gunn, Mark Gunn

MAIN CAST: Jackson A. Dunn, David Denman, Elizabeth BAnks

RUNNING TIME: 1hr 30min

There are spoilers below…

I try and avoid movie trailers out of fear that they will spoil a film or take something away from it. Most of the time I feel like they show way too much information and as though they somehow force me to develop an opinion about a film before I have even seen it.

Brandon Breyer

Brightburn was one of those times I ended up seeing the trailer and although I wouldn’t necessarily say I developed an opinion about the film I did start thinking up questions about it and I was coming back to Superman every-time.

ooooo, I thought, interesting – my initial reaction to the first few seconds of the trailer. Then as it went on I began to cringe a little, ah I don’t know. I mean, a bad Superman? Is that where they’re going with this? We’ve seen Superman turn bad. Then again, we’ve never seen him start out bad. Ok – they’re either gona do this good or it’s gona be real bad.

I kept seeing odd buzz words around the film though: Horror, Gory, Bad seed, Evil Superhero. I was wondering, how dark is this gona be?

When I thought about a bad Superman, I couldn’t help going back to the 1983 Superman III starring Christopher Reeve. It’s the one where Superman splits into an evil version of himself after being exposed to synthetic kryptonite. He becomes a bit of a horny, juvenile alcoholic. Sure some of the stuff he does is a bit bad, but considering the power he wields he doesn’t go that mental. This got me hoping Brightburn wasn’t just about a moody Mama’s boy going through puberty.

Superman and Clark Kent

To be fair, the trailer made it quite clear the little dude in this film was one step ahead of getting wasted, blowing out the Olympic Torch and straightening out the Leaning Tower of Pisa (Superman III). He is definitely a bit of a psycho, but how far was he really going to go? Was he just going to maim people? Or was this angelic looking kid going to just go to full on Killing sprees? I think there’s a few occasions in the DC comics where Superman goes a bit nuts and even starts killing members of the Justice League, so maybe he will go that far?

The Gunn brothers, Mark and Brian, that wrote the screenplay are adamant the film is not based on a ‘bad Superman’, but an already evil alien raised on earth. I don’t read about films until I’ve seen them so most of this I didn’t really pick up until afterward.

However, perhaps I should have observed that statement a little harder while I watched it. I got caught up on this whole Evil Superman parallel, that it was easy to only see the Superman element.

Yes! There’s bunch of references paying homage to Superman from the red cape to the laser beam eyes. Yes! Like the Superman back-story, a baby crash lands on a farm and Mr & Farmer decide to raise the baby as their own, but you can read more about all those on another site.

Forget for a minute that Brightburn had anything to do with Superman at all.

What got my skin crawling is what’s implied about Brandon’s backstory and what he’s going through. After much consideration, I think Brandon is less like Superman – and more like some killer Wasp-Bee alien, and here’s why.

To give that a little more context, I’m going to start from the scene in the school where Brandon talks about bees and wasps.

By the complex answer he gives his teacher when they’re learning about the Bees and the Wasps Brandon appears to be smarter than the average kid. The other children tease Brandon; he is clearly different to them and maybe they all sense that.

I don’t think this scene just makes a point about how smart Brandon is, or how the other kids in the class are bullying him. I think this scene is a big clue about why he landed on Earth and what makes this film stand away from Superman.

I’ll expand on what Brandon talks about to show where I’m coming from. Brandon says about the aggressive nature of wasps and how they don’t have the ability to create hives so they take them over by brute force. True Brood Wasps are insects that infiltrate host nests as larvae (like Brandon as a baby) and are raised by the adult hosts (like Tori and Kyle). Cuckoo Bumblebees do the same, but also release pheromones in order to slip past bee security and kill or subdue the queen of entire colonies and take them over, forcing the host worker-hive to feed their offspring.

I think showing him being bullied is by the other kids at school could also be seen as they are poking the wasp nest – so to speak but I won’t get carried away.

When Brandon wakes up in the middle of the night after a seizure, the hidden space-vessel he came in seems to have sent out psychic messages awakening his powers of strength, flight and speed (not to mention the laser eyes). Later in the film Brandon cracks the psychic code and realises its telling him to TAKE THE WORLD – which he seems to take to like a Cuckcoo Bee takes a colony.

Yeah, from here on in, Brandon starts displaying a whole load of manipulative and twisted behaviour that involves bloodshed and threats – but there’s a fair few indicators that what he’s been going through doesn’t just start after the seizure in bed.

Knowing that despite his innocent appearance, Brandon is not a real human child, Kyle points out the things he’s noticed as they have raised him.

Kyle and Tori discover some magazine clippings which aren’t just teenage boy spank-bank material. Beneath a few pictures of bikini models, there’s pictures and drawings of the anatomy of people. The notebook that he is always writing in is quite tatted and used up and when we see it later in the film, there’s a lot of disturbing content (even the logo he stamps everywhere is like a rudimentary bee or wasp stamp). It all suggests these are things that have been playing on his mind for a while. It’s not quite as simple as a Space-ship talking to him awakening some sudden urge to kill, it seems Brandon has been wondering what people look like from the inside-out, for a lot longer.

Does he want to know our anatomy so he can kill us easily? Does he want to lay eggs in our abdomen? Is he going to eat us when he is done? I mean, when he stuck his finger in the blood on his dying uncles face, I half expected him to lick it off!!

Ok I aren’t clutching at straws here – I can give this Bee-Wasp Alien theory a bit more traction.

Another part of the film that seems to back up the idea of Brandon infiltrating Earth to potentially colonise it like the Cuckoo Bee, is his interest in Caitlyn. Despite the fact that he crushes her hand, in some sort of controlling and manipulative effort he still wants to pursue her sexually. The reason I specifically say sexually, is because the first thing he does after Kyle ‘gives him the talk (about the birds and the bees‘) is stalk her in her bedroom. It’s also more carnal than it is romantic especially because he actually stalks her. Even after he breaks her hand he is still imposing. Has he intended her as his mate?

Ok so enough about that – one of thee main and most definitive reasons I think Brandon is a Wasp Monster… The insect-like hooded-mask he wears. I mean, come on, could you get more symbolic than that? He hovers like a wasp, he moves at speed like a wasp, he’s aggressive and parasitic and imposing – he even wears a wasp mask!!

So if I forget for a minute that the word Superman is even remotely related to this little monster, I become extremely creeped out. I reckon Brandon is more likely from a liege of Super Wasp Aliens that can morph into their hosts, permeate an entire planet and destroy it with no conscience.

If you think I’m totally off the mark then message me or comment. I’d love to hear it.

…anything but Superman related comparisons!

zero-nine-eight.0

Zero-nine-eight yanked down on the stiff metal handle of the giant metal door; it didn’t budge.

She pulled down on it with all her weight, then she jumped up and pushed down on it. Nothing.

Almost out of energy, she tugged hard and pulled down again, her skinny arms stretched upward as she hung from it and her bum grazed the floor. It wasn’t giving even slightly.

She looked about with a mix of fear and anger on her face. She had been running around in a labyrinth of corridors for what felt like hours and her bare feet were so cold they hurt.

There was a keypad too high up to reach next to the door but she didn’t know what she could do about that anyway, they always used a different number on the one in her room.

Brick walls lined the long corridors of concrete floors. There were three different kinds of lights; Long fluorescent strips in the middle of the ceiling which were off at the moment, small tinted red round ones on the wall about two meters apart, which were also off – finally, small white rectangle ones evenly spaced between the red ones, which were on. Most of them didn’t work and there wasn’t a great deal of light, but Zero-nine-eight could see there were no vents, no holes, no spaces to hide in or crawl through.

As she was about to head back the way she came, the hall lit up with the red lights which seemed to be swirling, followed by a shrill siren which sounded three times and stopped.

They were back.

Zero-nine-eight fell down, startled. She scrambled herself backwards into the corner next to the metal door. There was a light beeping noise followed by heavy metal grinding noise from behind the it and she saw the handle move downward. Frozen in the corner, the door swung open, trapping her in the space behind it as it opened slowly until wall stopped it. For the moment she was shielded from the those coming through the it.

“Lieutenants, round up Zero-nine-zero through to Zero-nine-nine”, boomed a voice.

“Yessir, Commander”, came two more voices in unison.

“Take them to the ship, but be discreet. There are a lot of people about this time of day. Use the Trojan.”

“On it Sir”, and that was it; the bright white fluorescent strip lights came on in the ceiling and the red swirling lights stopped. She heard footsteps heading away before hearing the beeping noises again and the door began to move closed.

It swung slowly and she crept around following it. She peered around but it was completely black. As the gap became smaller she gulped and taking a big breath back, she went through.

film review. rim of the world

MOVIE: Rim of the World

YEAR: 2019

DIRECTOR: McG

WRITER: Zack Stentz

MAIN CHARACTERS: Jack Gore, Miya Cech, Benjamin Flores Jr., Alessio Scalzotto

RUNNING TIME: 1hr 38min

There are spoilers below…

What a treat of a film this turned out to be.

Rim of the World: Dariush, Zhenzhen, Alex, Gabriel

Rim of the World is about four totally different kids that meet at a summer camp. Abandoned by the adults, it’s up to Alex, Dariush, Zhenzhen and Gabriel to save the world when Aliens invade.

If you watch it close enough you will see that is only one part of what this movie has to offer; there are layers, upon layers, upon layers to this film.

It is stuffed to the ‘rim’ of movie references from the last thirty-odd years making it a relatable, fun flick for adults and kids alike. It’s a mix of Sci-Fi, Horror, Adventure and Comedy genres, and it has absolutely no qualms with throwing every stereotype in the book into the mix.

Most recently audiences have been going mad for the likes of Stranger Things and IT for their nostalgic throwback to the Western World’s most favoured Adventure blockbusters of the last few decades. Movies like ET, Goonies and Breakfast Club were the backbone of Generation X. Unlike Stranger things and IT, Rim of the World is set in the present, but with the same sort of adventure format. Generation Z benefits from references of movies like Gladiator and Rush Hour and then more recently the Millennials will be more familiar with Wolverine and John Wick.

Using the countless politically incorrect inferences we have all grown up on to pack a funny punch; filmmakers have cleverly highlighted contentious issues, instead of hiding them beneath the surface as a cheap gag trick. The main clue that this film is openly commenting on politically charged stereotypes or agendas is when Carl & Logan, the Camp Leaders (who are also “the black men on Campus”) are sitting about the campfire talking about Toy Story 3. It’s not to say that Carl & Logan’s interpretation of Toy Story 3 is true (“the ruling class justification for the inferior conditions of the working class”), but it is how the filmmakers say to the audience, “yes, films are meant to talked about; yes, they have hidden meanings and agendas – including this film; and yes, we know what we are doing – that’s the point”.

I won’t list all of the film references in the movie, I am sure there are a tonne of websites that’ve already made it their mission to; besides, spotting them yourself is part of the fun because for many of them it’s just one line of dialogue or a prop or special effect that’s the reference instead of the actual name of the film.

What I think is so important to take away from the film is its coming of age theme and messages.

The guy that wrote the film, Zack, has mentioned in a few interviews about the emotional importance of the films he grew up on in the 80’s and the lessons they taught him and millions of others. They relied a lot on how kids in the audience identified with what the characters are going through. Childhood traumas like bullying, poverty, grief, peer-pressure or some sort of in-house/domestic abuse are usually used as part of the background info in most of the main character arcs. In Rim of the World, it’s all about abandonment. Alex’s Father died traumatically in front of him, Dariush’s Father is going to Jail, Gabriel’s Father leaves when he’s Ten and Zhenzhen is an orphan – Not to mention they’re all left alone by the ‘adult camp leaders’ when the whole movie kicks off.

Generally the plot of the all these Generation X movies features a Headmaster or Evil Grown-up, a Monster, or in this case Alien, which acts as the metaphor for the main characters’ trauma and how they overcome it is always based on how they pull together and ‘Stand By’ each other; it’s the lessons they learn through their friendship that gives them strength, not just in the immediate battle, but also the one they are fighting at home or school.

Rim of the World packs a LOT into an hour and half. I could mention that I thought the special effects were kind of wooden and I could say the introduction of the characters and even some of the interaction and dialogue sometimes felt awkward and unnatural and I don’t think many would disagree. However, the fact that it’s full of hints and clichés from the last forty years makes me thinks all of this part of its purposeful charm.

Overall it does well to be its own unique take on western pop-culture. It brings together the last three generations of audiences in a hilarious, albeit crude and obvious, complement of one-liners, shoddy CGI explosions and an evil looking monster while also facing the crushing trauma of family torment with your best mates at your side.

Nice one Zack.

reading films: an intro

reading films? what is this girl on about?!!

Yes, I am here to tell you that reading films is a thing.  

Have you ever watched a film and felt puzzled at the end… and then had to Google the meaning? (and then wondered afterwards, who are these people that know this stuff?)

As it happens, they’re people that read films.  It’s not an exclusive skill and I bet you’ve even done it yourself a few times without realising and if you’ve ever spoken to anyone in depth about a film you’ve seen, then you definitely have.

Since over a century ago when films were invented there have been huge changes in what we expect from them. From at first not having any sound, to the soundtrack being one of the most important devices a filmmaker may rely on, to computer generated images opposed to handmade props and puppets. 

Like art and music and poetry and storytelling, film-making has been a fluid evolutionary process as it expands and experiments with new ways to project our interpretations of humanity.

That was a deep I know, it gets worse.  

When we study English in School, we learn how Shakespeare used storytelling devices like Metaphors in Imagery to convey the states or the emotions of the characters. More than that, they would sometimes communicate entire existential crisis’, like mortality!! There are now even studies into how Shakespeare may have been a political rebel, hiding subversive messages in his works.

Films are a great way to learn about people, kids, friendships, relationships, politics, cultures, humanity and even history (I know they’re generally fictitious but sometimes they inspire people to do a bit of research). As the years have passed the dramatic became more realistic, backdrops became Ariel shots and the suspense became more intense. Reading films is about appreciating those changes and asking why they happened. 

It’s not to say that every single film is trying to ask some life changing question or state some intense political agenda… However, many of the most famous (and infamous) films do use different devices and techniques to make some sort of statement, and that goes to show as an audience, that we like watching clever and meaningful film-making.

************ 

There’s a lot of places for Directors to hide clues and messages in plain sight. They reinforce something in the plot, create a theme or develop the characters and their motives but mainly, they show us the story, without telling it.  

Go to my next post reading films: a breakdown for what to look out for next.

the first post

this is not my first time.

I have tried blogging several times before. Unfortunately for all you potential readers, I kept thinking – who on earth is going to want to listen to me drivel on?

I mean it’s not really any different now. Even if only one person reads my blog (and even if that one person is me) at least I wrote down the stuff that goes on in my head.

I entertain myself anyway.

Why, after trying and failing before, am I doing this again?

I just need a creative space.

I can’t draw or paint, I can’t build anything and I don’t play any instruments – but, what I can do, is write thousands upon thousands of words about almost anything.

Previously I’ve been quite strict about what content I want in my blogs. I thought I had to make the content match an audience type if I was going to be successful at actually having an audience. So the blogs were either just film reviews or just film deconstructions or just blah blah blah.

Then I realised my attention span is shorter than the space between my index finger and thumb and that I could not commit to any of the subjects without becoming bored or frustrated.

I then realised that I need to stop trying to focus on just one subject and embrace my goldfish-like tendencies.

I could have it all and so could everyone else. From reading other blogs I noticed that people don’t necessarily go for the subject matter in some cases, but rather the voice behind the writer. Some people are like goldfish too.

So if, like me, you can’t focus on more than one subject for more than a few paragraphs then you should definitely hang around.  I will talk about all sorts.

If I want to tell you all about a film I saw or that I’ve been learning about the impact of advertising on children or if I just happen to be writing a story about a female serial killer that runs a parrot sanctuary, then I can.

There are no limits.

That is my first post. Short and sweet enough to get you interested I hope.